Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
by Maria Flood and Michael C. Frank The Figure of the Terrorist in Literature and Visual Culture editors Maria Flood…
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that…
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short…
by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of…
by Lindsay Paterson Scottish education has often been celebrated as an international pioneer in many things – the opportunity to…
by Craig Smith 2023 is the 300th anniversary of the birth of Adam Smith. Smith is one of the very…
by Kjetil Selvik, Jacob Høigilt Only a few years ago, Tunisia was the freest country in the Arab world, with…
by Sara Honarmand Ebrahimi How did patients feel when visiting mission hospitals built by British missionaries in Asia and Africa…
by Tonya N. Stebbins and Cara Penry Williams In an age where women are increasingly active in the workforce and…