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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

    Q&A with Benjamin Dalton about his new book, which journeys through philosophy, literature, film and (neuro)science to discover how our bodies and brains transform throughout life.

    January 8, 2026
    Read more: Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

AVANT-GARDES INVENTED IN AUSTRALIA!

Did Australia invent the idea of the avant-garde?

  • Edinburgh University Press
  • December 16, 2024

W. B. Yeats’s late-career engagement with the Irish language poetry of dispossession

Cora Crampton explores a lesser-known aspect of W. B. Yeats’s oeuvre - his collaboration with Frank O’Connor in the translation of Irish language poetry during the 1930s.

  • Edinburgh University Press
  • November 26, 2024

An Interview with David Rando, author of On Fiction and Being a Good Animal

by David Rando Tell us a bit about On Fiction and Being a Good Animal. On Fiction and Being a Good Animal begins with a question: what if fiction could help us to become not better people but better animals?…

  • Edinburgh University Press
  • November 7, 2024

5 Things I Learned About William Lindsay Gresham

by G. Connor Salter I knew that he put the word “geek” into popular culture with his 1946 novel Nightmare Alley. Beyond that, the only thing I knew when I started researching William Lindsay Gresham was that his ex-wife, Joy…

  • Edinburgh University Press
  • October 17, 2024

Shakespeare Teachers Strike Back: Three strategies for engaging in politically responsive pedagogy in the age of (another) DEI backlash

by Marissa Greenberg and Elizabeth Williamson Perhaps the greatest challenge facing US institutions of higher education is the tension between an increasingly diverse student body and an inherently (and inherited) homogenous curriculum. “Meeting today’s students where they are” is a…

  • Edinburgh University Press
  • September 17, 2024

Young Adults & War

How can literature for young adults and children help to foster lasting positive social change?

  • Edinburgh University Press
  • August 8, 2024

Q&A with the author of Reading Portrait Photographs in Proust, Kafka and Woolf: Modernism, Media and Emotion

Reading Portrait Photographs in Proust, Kafka and Woolf studies a specific motif in modernist literature: the act of looking at portrait photographs.

  • Edinburgh University Press
  • May 17, 2024
  • 1 Comment

Q&A with the author of The Ottoman Canon and the Construction of Arabic and Turkish Literatures

C. Ceyhun Arslan discusses the inspiration behind his new book, and the surprises he encountered along the way.

  • Edinburgh University Press
  • May 2, 2024

Is this the time of the essay? CounterText: Volume 9, Issue 3

by Mario Aquilina ‘Is this the time of the essay?’ Or ‘is the essay out of time?’ ‘What is time in the essay?’ ‘What, actually, is the essay, today?’ ‘Do we, in post-literary times, keep focusing on the essay as…

  • Edinburgh University Press
  • March 7, 2024
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Popular Posts

Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

A culturally diverse group of dancers performs among piles of books. They wear costumes with large numbers pinned to them, suggesting an audition or competition. Their movements are dynamic and physical, with one dancer holding another’s leg as others lean and bend in varied, expressive poses.

5 ways to (un)teach the canon

A detailed black-and-white illustration of several men in traditional Scottish Highland attire—kilts, plaids, and feathered caps—shaking hands in front of a small thatched cottage. A child stands nearby watching, and a crowd of villagers looks on from behind. Trees arch overhead, and one man carries bagpipes slung over his shoulder.

Jacobitism and Conceptions of Ethical Colonialism

The Scottish flag blows in the wind against a blue sky, with light white clouds

A country that cares: the rocky road to transforming Scotland’s social care system

How Vocatives in Lebanese Arabic Reveal the Subtle Art of Address

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