Maciej Kurzynski discusses how embracing new language models can revolutionise literary studies.
What is the point of the connection between sea power and liberty?
by A. Robert Lee In this ambitious new study A. Robert Lee tackles the question of how, and why, a given selection of English literary writings can assume the mantle of “modern.” To this end Moderns – Chaucer to Contemporary…
A Q&A with Jenna Clake, author of Whiteness, Feminism and the Absurd in Contemporary British and US Poetry.
by Jeffrey Knapp The first speaker in one of Shakespeare’s earliest plays is not a prince, like Hamlet, or a lover, like Juliet, or a warrior, like Macbeth. He’s a drunken beggar. And he’s incensed that the hostess of the tavern…
by Caroline McCracken-Flesher In Provost Pawkie’s Gudetown readers hear the town clock tick just once. The city fathers gather at the council chamber. “[The] town was lying in the defencelessness of sleep,” Pawkie remembers, “and nothing was heard but the…
by Sophie Chiari and Anne-Marie Miller-Blaise In the following quiz, each answer is related to a particular chapter of The Ecology of Dress in Shakespeare and his Contemporaries. We hope, as a result, that this fun test will enable you…
by Ruth M. McAdams Tell us a bit about your book. Temporality and Progress in Victorian Literature is about what happened when Victorians looked around for signs of the historical progress that was allegedly taking place on a broad scale.…
A Q&A with the author of Philanthropy in Children’s Periodicals, 1840–1930: The Charitable Child.
Did Australia invent the idea of the avant-garde?