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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Why family ties in Kūfa mattered for early Islamic politics

    Aliya A Ali explores how kinship and marriage alliances shaped political power and governance in the early Islamic city of Kūfa.

    September 25, 2025
    Read more: Why family ties in Kūfa mattered for early Islamic politics

Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025

Professionalisation and the New Woman: Q&A with Riya Das, editor of the critical edition of Mona Caird’s The Daughters of Danaus

Riya Das discusses the making of her fully annotated edition of Mona Caird’s immensely successful novel, The Daughters of Danaus.

  • Edinburgh University Press
  • August 29, 2025

Envy and the Politics of Reading

How did early modern writers link envy in print culture to politics and community?

  • Edinburgh University Press
  • August 25, 2025

James Boswell and the ‘Whisperers’

by John Eglin James Boswell, like a number of wealthy and well-connected British travelers in Italy, could expect to move in elevated social circles as he went from city to city. In common with many of his fellow tourists, he…

  • Edinburgh University Press
  • August 20, 2025

Shakespeare Comics: Q&A with the author

A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.

  • Edinburgh University Press
  • July 10, 2025

The Writer as Memory Activist

Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.

  • Edinburgh University Press
  • July 2, 2025
Photograph taken from below of ornate old architecture rising into the sky

Q&A with Daniel Behar, author of Syrian Poets and Vernacular Modernity

Daniel Behar reflects on his discovery of Syrian poetry, in a journey which carried him through the writing of poets such as Adonis, Muhammad al-Maghut and Nizar Qabbani.

  • Edinburgh University Press
  • June 20, 2025

Feminized Work and the Labor of Literature: Q&A with the editor

Emily J. Hogg explores the creation of Feminized Work and the Labor of Literature, a collection on literary representations of ‘women’s work’.

  • Edinburgh University Press
  • June 10, 2025
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Why family ties in Kūfa mattered for early Islamic politics

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Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

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