Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
by David Rando Tell us a bit about On Fiction and Being a Good Animal. On Fiction and Being a Good Animal begins with a question: what if fiction could help us to become not better people but better animals?…
by G. Connor Salter I knew that he put the word “geek” into popular culture with his 1946 novel Nightmare Alley. Beyond that, the only thing I knew when I started researching William Lindsay Gresham was that his ex-wife, Joy…
by Marissa Greenberg and Elizabeth Williamson Perhaps the greatest challenge facing US institutions of higher education is the tension between an increasingly diverse student body and an inherently (and inherited) homogenous curriculum. “Meeting today’s students where they are” is a…
by Mario Aquilina ‘Is this the time of the essay?’ Or ‘is the essay out of time?’ ‘What is time in the essay?’ ‘What, actually, is the essay, today?’ ‘Do we, in post-literary times, keep focusing on the essay as…
by Matthew Chambers The text for this blog is taken from the Editor’s Introduction of The New Americanist Vol 2.2. The New Americanist continues a tradition of research publication at the American Studies Center (University of Warsaw)—some iteration of the…
by Chris Murray Should Europeans meditate? Carl Gustav Jung (1875-1961) said not, but William Butler Yeats (1865-1939) disagreed. To argue his opinion, each adopted Goethe’s character Faust as a paradigm for the non-Asian psyche. For much of his life, Yeats…