Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
By Peter Burke The idea that the unintended consequences of human action are often more important – for better and even more often, for worse – than the intended ones is a well-known theme among historians, whether they study politics,…
By Jemma Stewart Read Part 1 and Part 2 of this blog series. Rose Roses…have ever reigned as queens of flowers.[i] The rose bloomed in Ancient Egypt, as Jack Goody attests: Above all there was the hundred-petalled rose, which became…
By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched my hand … As the light came back, I gazed upon that which had been left within my hand. It…
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…
By John Reuben Davies Read the editorial introduction from The Innes Review: 70th Anniversary Virtual Collection, which is free to access on our site and contains over 40 free articles spanning 70 years of the The Innes Review‘s history. The…
By Julian Petley and Andrew Roberts Catch up with Part One of Culture Wars, Talking Pictures and the Telegraph For Heffer, ‘the lesson of Talking Pictures is clear. It portrays the England millions of us wish we still lived in’.…
By Julian Petley and Andrew Roberts Author’s Note: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in this blog post, which…