Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
by Amanda Hodgson What do these three Victorian actresses have in common? They all acted at one time or another at the Adelphi Theatre, but another thing they have in common, and the thing that interests me, is that they…
by Brett Davies The author of ReFocus: The Films of Lawrence Kasdan chats about the writing process behind the book, what inspired him to explore the films of Lawrence Kasdan and what surprised him most during his research. Tell us…
by Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, when we saw that the Prologue to the Spanish edition of Serge Lifar’s book La Danse had been written by…
by Dr Helen O’Shea and Prof Kim Barker International Women’s Day: an important day to mark, recognise, and observe women’s achievements…but we’ve had our fill of hashtags. So another one rolls around again and we can expect the usual avalanche…
by Tim Snelson, William R. Macauley and David A. Kirby In the ‘long 1960s’, psychiatrists and other mental health professionals intervened in and influenced cinema culture in unprecedented ways, changing how films were conceived, produced, censored, exhibited and received by…
by ‘Funmi Adewole Elliott Over the years I have carried out several research projects as a practitioner, at times with funding from organisations like the Arts Council and Chisenhale Dance Space or with support from The Space at Clarence Mews.…
by Elizabeth Castaldo Lundén The Oscars are awards season’s final show and the mothership that paved the way for all other awards ceremonies. Therefore, one must reserve the best look to capitalize on the build-up. But what makes an Oscars…
