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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
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  • Politics, Philosophy and Religion
    • Religion
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Edinburgh University Press Blog
Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.

Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’

Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

  • Edinburgh University Press
  • April 10, 2026

Q&A: The Rise and Fall of the Barmakids

Tales of courtly intrigue, moral testing, romance and reversals of fortune from a rare Persian manuscript…

  • Edinburgh University Press
  • April 7, 2026

Who needs advice?

Margaret Mullett investigates advice literature from Byzantine texts to modern self-help culture.

  • Edinburgh University Press
  • April 2, 2026
Silhouette of a bird perched on coiled razor wire atop a fence, with the sun setting behind it, casting a warm orange glow across the sky.

Agonistic memory in protracted conflicts

Q&A with Lisa Strömbom, author of the book Agonistic Memory and Peace. Colombia, Northern Ireland and Israel-Palestine.

  • Edinburgh University Press
  • March 31, 2026
Two women sit on a small outdoor stage holding microphones and speaking to each other. One wears a bright pink dress and smiles while listening; the other wears a green dress and speaks into the microphone. Behind them is a large pink decorative sign, and two water bottles sit on a table between them. The setting appears to be a public talk or interview event.

5 Surprising Facts about Greta Gerwig

Did you know these facts about the Barbie (2023) director?

  • Edinburgh University Press
  • March 23, 2026
Barbed wire and razor wire coiled along the top of a tall metal security fence silhouetted against a dusk sky with the moon visible in the background.

Borderland horror: Q&A with Anna Marta Marini

Q&A with Anna Marta Marini, author of The US-Mexico Borderlands in Contemporary Horror. Crossing the Boundary

  • Edinburgh University Press
  • March 17, 2026

6 things worth knowing about Jews and Muslims in the Maghreb

Marta Domínguez Díaz explores the intertwined lives of Iberian Muslims and Jews exiled to the Maghrib.

  • Edinburgh University Press
  • March 13, 2026
Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.

1980s video memories with Peter Turner

Q&A with the author of 'Unsuitable Film and Video Audiences: Underage Viewing Memories and Practices in 1980s United Kingdom'

  • Edinburgh University Press
  • February 26, 2026
The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest

  • Edinburgh University Press
  • February 24, 2026
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