Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
by Marco Conte and Katharina Bouchaar, Enercy1 In recent years, the increasing interest in the clean Hydrogen sector has led key stakeholders across Europe to develop ambitious projects, with green hydrogen as the main protagonist: the so-called “Hydrogen Valleys.” The…
by Susan Kerns ReFocus: The Films of Susan Seidelman editor, Susan Kerns, discusses researching the book, what surprised her during the process, the most exciting part of the project and whether her research changed her worldview in this fascinating Q&A.…
by Bailey Betik and Alexander Cors Graduate education has traditionally been the final stage of academic apprenticeship, where individuals delve deep into their chosen fields of study. It’s a time for specialization and expertise, where students engage in critical thinking…
by Jon Chun and Katherine Elkins Generative AI is a transformative force, reshaping both arts and humanities computing. Its recent evolution retraces our own human evolution, only on a vastly accelerated scale. In the Beginning Was the Word Working with…
by Lilah Grace Canevaro 1. Stone can sing You don’t notice your windows when they’re clean. You might enjoy the sun streaming through them, or – more often in my experience – listen to the rain as it patters against…
by Jamie Callison Ask for a description of a mystic or a follower of mysticism, and you might be greeted with a portrait of an otherworldly recluse speaking in riddles and perhaps evincing some unusual physical symptoms like those found…
by Theodore Scaltsas We are all accustomed to thinking of wellbeing in Aristotelian terms, assuming the agent’s choice (proairesis) for the preferences and actions that constitute their wellbeing. The agent chooses what is good for them and performs the relevant…
by Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly essays on Oscar winning film director Jane Campion, director of The Piano (1993) and more recently The Power of the…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…