Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
by Sarah Keenan It’s easy to get lost at the British Museum. The expansive central London building, set out over three floors and divided up into over 60 galleries, displays some 80,000 objects from all over the world. The British…
by Kevin James and Melissa Turner Scotland has always had a geographically expansive range of global engagements: its imprint is discernible around the world—not just in the form of permanent settlement, much as its global impact has often been measured…
by Jack Ashby, University of Cambridge Readers are advised this article contains the names of Aboriginal people who have died, and mentions attempted genocide, violence towards and offensive language about Aboriginal peoples. We might imagine that scientists gain recognition thanks…
by Jeroen Wijnendaele (This text incorporates my introduction for the book launch of Late Roman Italy at Hamburg’s RomanIslam centre – 21.11.2023) Fergus Millar once claimed that “Italy under the Empire has no history.” He meant that it had no…
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
by Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised her most during the writing process. Tell us a bit about your book With my latest book Exotic Cinema, I…
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings together 31 excellent international scholars. It’s the first book to comprehensively explore DeLillo’s life-long engagement with the arts – visual,…
by Valérie Hayaert Animated by signs that are in essence mutable, Justitia (Lady Justice) may be perceived as an allegory in motion. Scholars who pretend to master the intricacies of this “science of images” (iconology) forget an important fact: allegories…
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…