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Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

Henri Bergson's philosophy reveals time as a continuous and interconnected melody.

Georgia Gibbs asks if schizoanalytic de-subjectification can contribute towards a feminist account of sexual normativity.

Thomas Telios considers common sense as a contested and performative concept shaping democratic discourse and political exclusion.

Q&A with the author of 'Unsuitable Film and Video Audiences: Underage Viewing Memories and Practices in 1980s United Kingdom'

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest

Martial arts cinema is often discussed through intensity. But what about when action slows down?When cinema asks us not to watch bodies fight, but to attend to how they might think and feel.

Explore James Hogg’s writings on Scottish rural life, tracing the loss of communal culture and the social tensions of modern sheep-farming.

Beth Williamson discusses her research on the story of pioneering educator and influential artist William Johnstone.

Editors introduce their article on the Scottish Martyrs, which was the runner up in the SHR’s inaugural Early Career Researcher prize (Published in the journal’s December 2025 issue)

Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.