Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Even before COVID-19, unprecedented levels of public and private borrowing placed debt at the centre of academic and public debates. If access to credit at this stage of the pandemic is crucial for keeping alive economies across the globe, the health crisis has further exacerbated our reliance on borrowing. Massive efforts are expected of states and central banks to support not only individual financial institutions but the financial system as a whole.
In and extended blog post, William Brown and David Fleming discuss 8 new introductions to their new book, The Squid Cinema from Hell.
William Brown and David H Fleming discuss the eight possible other introductions to their book The Squid Cinema from Hell.
Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s time and place, but it is driven by the obsession engendered in the writer by the subject. This has been…
To celebrate the release of Muslim Preaching in the Middle East and Beyond: Historical and Contemporary Case Studies, editors Simon Stjernholm and Elisabeth Özdalga take us through five essential things you should know about Muslim preaching. 1. Synchronised sermons When…
The past years have seen many commemorations in the Israeli–Arab conflict: 100 years since the Balfour Declaration (2017), seventy years since Israel was created (2018), fifty years since the 1967 war (2017), thirty years since the first intifada (2017), and…
Anglophone literary criticism has over the last decade engaged in a searching analysis and critique of its own methods. Perhaps surprisingly, much of that debate has considered *how* one should engage in literary interpretation—whether one should read closely or from a distance, interpret in a paranoid or reparative way, emphasize the work’s surface or depth, engage in “critique” or some other mode of attachment—and rather less *why*. But we might benefit from asking that question more openly: what, after all, is the point of literary criticism? Why does this practice merit the sustained intellectual energy so many scholars have devoted to it?
The oldest layers of the surviving Zoroastrian texts are in Avestan language and commonly dated to the middle of the second millennium BCE. Exact dates and circumstances of composition, however, remain uncertain, so that little is known about the socio-political context from which these texts emerged. After two millennia of oral transmission, the texts were finally committed to writing, at a time when the language must have no longer been in active use.
A staple in cinema for decades, the vampire movie is a genre that is constantly being rejuvenated with fresh blood. Michael Guarneri looks to Italian cinema to introduce five vintage vampire movies you might not have seen. 1) L’ultima preda…