-
Performing for Napoleon: Production Quarrels at the Paris Opéra
Read more: Performing for Napoleon: Production Quarrels at the Paris Opéraby Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that […]
Gertrude Stein’s Transmasculinity
By Chris Coffman The Parisian salon hosted by Gertrude Stein and Alice B. Toklas was unique among queer modernist spaces. Unlike Natalie Barney’s salon emphasizing women, femininity, and Sapphic identity or the cosmopolitan Paris of queer outcasts surveyed in ‘John’…
Investigating Scotland’s land issues, past, present and future
‘The politics of this country will probably, for the next few years, mainly consist in an assault upon the constitutional position of the landed interest.’ Benjamin Disraeli So said the Conservative politician and Prime Minister Benjamin Disraeli in the late…
Class and Feeling in the Films of Jia Zhangke
CounterText Special Issue: Afterward/Afterword
CounterText guest editor Norbert Bugeja shares some interesting thoughts about the special issue, Afterward/Afterword, and the important, complex questions it approaches. It is mid-May, a sunny afternoon in Bethlehem. I have arrived here from Ramallah, driving in the midday heat…
The spread of Christianity through cross-cultural communication
It is a truism to state that Christianity has spread across the world as a result of cross-cultural communication. Between them, the articles in Studies in World Christianity 24.2 illustrate the variety of form and effectiveness of cross-cultural communication in…
Mapping Christianity in North Africa and West Asia
British Youth Cultures and the Wider World
Pop music and youth culture are known to be among the great British exports of the late twentieth century. Be it teddy boys/girls or The Beatles, mods or the Sex Pistols, football hooligans or the Spice Girls, the seemingly rapid…
Emotion, History and the Arts
Erin Sullivan and Marie Louise Herzfeld-Schild are guest editors of a special issue of Cultural History about ‘Emotion, History and the Arts’, published October 2018. Their introduction draws on a wide range of emotionally charged art works from different times and places—including…