Elena Vanden Abeele investigates the functions, symbols and hidden meanings behind the parsol in the 19th century.
By Sophie Chiari In Romeo and Juliet, the lovers are plagued by the dog days that overdetermine the climate of the play and turn heat into hate. Interestingly, Shakespeare’s sources all set the story in a cold winter which put forward…
Here, Brian Trehearne expands on his inspirations, and the wider context behind his article in Modernist Cultures (November 2018). My article in Modernist Cultures volume 13.4, ‘Canadian Modernism at the Present Time’, had a number of prompts, only one of which…
When we first thought about translating The Sorrowful Muslim’s Guide by Hussein Ahmad Amin, it was not just because the book had generated so much heated discussion locally as well as regionally in the Arab world. Nor that the book is…
by Pablo Ruano Delving into characters’ minds is not Dickens’s strong suit. On the contrary, Dickens’s figures are best known for their simplicity, being frequently characterized by a repeated use of either a striking phrase that dominates their speech (such…
The November 2018 issue of Derrida Today publishes the keynote addresses from the 2018 Derrida Today conference in Montreal. One of the most exciting aspects of this gathering was the confluence of scholars who have been broaching questions of the…
Recent research has suggested that Frederick Douglass (1818-1895) was the most photographed American of the nineteenth century. The former slave who became a leading intellectual and civil rights campaigner of his age, was captured on camera more times than George…
Spinoza: a renegade thinker whose life was far from boring. From stab wounds to spiders, how many of these strange facts did you know about Spinoza?
Size and shape versus sound and colour: discover how primary and secondary qualities have perplexed philosophers for thousands of years, and how Thomas Reid offers us a way forward.
In his new book, The Birth of the American Horror Film, Gary D. Rhodes delves into the archives to focus on 10 key horror genres prominent in American cinema between 1895 and 1915. From ghosts and witches to mad scientists…