• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

The Absence of God and Its Contextual Significance for Hume

In our featured article this week, “The Absence of God and Its Contextual Significance for Hume”, David Fergusson of the University of Edinburgh sets Hume’s thoroughgoing religious scepticism within the context of the Scottish Enlightenment. Much of Hume scholarship today…

Christian Healing and Christian Dying

Fascinating insight into how Christian societies in the non-western world respond to sickness and death is given in the latest issue of Studies in World Christianity. Brian Stanley, Editor explains in his introduction that how to care for the sick and…