Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…
Images of natural history, whether stationary or moving, have the capacity to affect the emotions of an audience. Through the creation of narratives, anthropomorphic reflection and knowledge transfer, they have the power to change perceptions and behaviour. In our featured…