Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
In January 2016, a scandal broke out in the UK when the Times reported that asylum seekers’ homes could be identified by distinctive red doors, making them vulnerable to attacks. Coincidentally – but not where signs and the political are concerned – A Process Philosophy of Signs opens with an account of threatening identification on doors.