• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Transcendent God, Rational World: A Māturīdī Theology

by Ramon Harvey Ramon Harvey introduces his approach to Islamic theology in his new book Transcendent God, Rational World: A Māturīdī Theology. Thinking today has become dizzying. Attention spans are diminished. No sooner does someone have an idea, but it…

Making Mongol History

Tracing the life and work of Rashid al-Din

By Stefan Kamola, author of Making Mongol History: Rashid al-Din and the Jamiʿ al-Tawarikh Early in 1839, Professor of Linguistics Duncan Forbes arrived in Inverness with Mir Afzal Ali, representative of the Maharaja of Satara. They had come to visit…