-
Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Beyond ‘girlboss feminism’: queering Irish women’s writing
Naoise Murphy re-examines Irish women’s writing through queer and feminist perspectives, exposing how literary narratives can obscure violence and postcolonial complexity.
Who were Roman freedwomen? Reconstructing their lives through inscriptions
Explore the lives of Roman freedwomen through inscriptions, family networks and daily experiences, revealing the overlooked stories of women once enslaved in ancient Rome.
Introducing Critiquing Gender and Islam: Transnational, Intersectional and Queer Perspectives
by Nadje Al-Ali & Kathryn Spellman Poots It has been over 10 years that we have seen uprisings in the Middle East and North Africa, although protests and uprisings predate the recent wave that started in Tunisia in December 2010.…
New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror
by Patricia Pisters Watching horror movies Previously, I truly disliked horror films. In the late 1980s Brian de Palma’s Carrie (1976) was shown on television. I did not want to see it, but my friends and sister convinced me that…
An interview with Taef El-Azhari, author of ‘Queens, Eunuchs and Concubines in Islamic History, 661–1257’
Tell us a bit about your book Queens, Eunuchs and Concubines in Islamic History, 661–1257 is the first comprehensive study of sexual politics in medieval Islamic history. While there are several books written on the Ottomans and Safavids, we do…
Lesbian Cinema after Queer Theory
In 1998, the celebrated lesbian film scholar B. Ruby Rich wrote: ‘I don’t want to make the mistake of falling into that comfortable old victim box, complaining of absence in the midst of presence. We’re not invisible anymore’ (58). In…
British Women Amateur Filmmakers
Our book examines how and where women made and showed their films; and what those experiences reveal about the women holding the cameras and the profoundly changing twentieth century world they captured on film. Whether teachers, homemakers, unmarried, middle or…
Promises of Monsters
By Donna McCormack, School of Literature and Languages, University of Surrey The Monster Network has been busy doing collective work and is happy to announce the publication of a special issue of the journal Somatechnics on “Promises, Monsters, Methodologies: The…
An interview with independent filmmaker Kelly Reichardt
In the summer of 2015, Kelly Reichardt agreed to discuss career and production details with E. Dawn Hall and Allison Adams, in an effort to inform ReFocus: The Films of Kelly Reichardt and provide insight into her latest film. Phone…