• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.
The world of Spinoza's Theological–Political Treatise

The world of Spinoza’s Theological–Political Treatise

By Dan Taylor Baruch Spinoza’s Theological–Political Treatise, published anonymously in 1670, quickly turned Europe upside-down. Dismissed by one contemporary as a book ‘forged in hell by the Devil himself’, it argued that for societies to endure conflict and flourish, they…

Covenants and Covenanting

By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…