• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.
A flying fox landing on water

Shimmer: The Kiss of Life Includes Us, Too

An extract from Shimmer: Flying Fox Exuberance in Worlds of Peril by Deborah Bird Rose Australian anthropologist Deborah Bird Rose’s remarkable final book is a landmark piece of interdisciplinary, multi-species scholarship based on fieldwork with the zoologists, conservationists and Aboriginal…

Lucretius II - Primavera

An extract from Lucretius II by Thomas Nail

Take a peek at the book extract from the recently published Lucretius II: An Ethics of Motion by Thomas Nail. How can the fear of death lead us to unethical action? In his didactic poem De Rerum Natura, Lucretius tell…

Moral philosophy header

God in Aristotle’s Ethics

By Tom Angier Does ethics need religion? Do we need to believe in God to be good? These are standard questions in moral philosophy. Strangely, however, they are not asked about (arguably) the greatest philosopher in the Western tradition: namely,…

somatechnics monsters

Promises of Monsters

By Donna McCormack, School of Literature and Languages, University of Surrey The Monster Network has been busy doing collective work and is happy to announce the publication of a special issue of the journal Somatechnics on “Promises, Monsters, Methodologies: The…

The Qur'an and the Just Society

The Qur’an and the Just Society

I was standing in a library aisle in the School of Oriental and African Studies, London, my neck craning to read titles dropping vertically down the spines of books. A familiar experience for many students, even if it is being…