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  • Cultural Studies
    • French Studies
    • Gender Studies
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    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
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    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
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  • Celebrating Libraries, Archives and Natural History

    Discover a cross-journal special feature from Library & Information History and Archives of Natural History.

    January 29, 2026
    Read more: Celebrating Libraries, Archives and Natural History

Cover of Earthbound

Video: A Conversation with Daniel Matthews and William MacNeil

Having won the Penny Pether Prize for his book Earthbound: The Aesthetics of Sovereignty in the Anthropocene, author Daniel Matthews joined series editor William MacNeil for a discussion on the book. They discuss how Matthew’s theory of language informed his…

  • Kevin Worrall
  • February 21, 2022
A cropped image of the New Ecological Realisms book

A Conversation with Graham Harman and Monika Kaup on ‘New Ecological Realisms’ (Part 1)

Graham Harman and Monika Kaup Read the full conversation here. Graham Harman: You begin your book New Ecological Realisms by discussing a widely observed turn in recent continental theory, from the preoccupations with language found in structuralism and poststructuralism to…

  • Kevin Worrall
  • February 10, 2022

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Celebrating Libraries, Archives and Natural History

National Year of Reading logo, 'Go All In' on red background.

We’re going all in for the National Year of Reading 

A polyglot writer weaves carpets: A conversation about linguistic hybridity with Sabira Ståhlberg

Abstract black-and-white image of fine, web-like lines and dots resembling neural connections or a network, flowing diagonally across a white background

Autopoietic Machines

a colourful collage of fragments of overlapping abstract photographs of plants, water and rocks. The colours give the feeling of iridescence.

What is extra in the ordinary, and why is the intimate often strange?

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