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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
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  • Politics, Philosophy and Religion
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  • Celebrating Libraries, Archives and Natural History

    Discover a cross-journal special feature from Library & Information History and Archives of Natural History.

    January 29, 2026
    Read more: Celebrating Libraries, Archives and Natural History
Six Edinburgh University Press books which focus on the work of Gilles Deleuze are arranged in a row.

This Deleuzian Century

Ian Buchanan kicks off our celebrations of the centenary of Gilles Deleuze's birth.

  • Edinburgh University Press
  • January 16, 2025
  • 1 Comment
EUP75 Banner

EUP 75: Our Publishing in Philosophy

Discover the history of Philosophy publishing at Edinburgh University Press, from our extensive publishing in Deleuze and Guattari Studies, to a ground-breaking new series in World Philosophies.

  • Edinburgh University Press
  • September 12, 2024
A grey dog lies on a carpet facing a bookshelf

Haraway against Deleuze, or, Must We Like Pets?

Ian Buchanan responds to Donna Haraway's reading of Deleuze and Guattari on the notion of becoming-animal

  • Edinburgh University Press
  • September 3, 2024
Black and white image of a figure

Fascism at the Limits of Capitalism

Reading Marx’s 'Capital' with Deleuze and Guattari

  • Edinburgh University Press
  • July 4, 2024

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Autopoietic Machines

a colourful collage of fragments of overlapping abstract photographs of plants, water and rocks. The colours give the feeling of iridescence.

What is extra in the ordinary, and why is the intimate often strange?

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