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Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Read more: Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black SquareIs there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
Decolonising human rights: a Q&A with Benjamin P. Davis
I want to talk about how all of us can decolonise human rights in our everyday lives, in constructive and imaginative ways
Clarifying Henry Dundas’ role as a ‘great delayer’ of the abolition of the slave trade (Part 1: Historiographical Orthodoxy, Public Debate and Memorialisation)
Stephen Mullen Since 2016 or thereabouts, there has been considerable public discussion about the role of Henry Dundas (1742–1811) in the debates surrounding the abolition of the slave trade in the House of Commons after 1792. Dundas was the Lord…
Rudyard Kipling’s ‘Kim’ and Charisma in the British Empire
Although he won the Nobel Prize for Literature in 1907, Rudyard Kipling’s ‘publicly pronounced racist and imperialist attitudes have’, as Harish Trivedi observes, ‘damned him as an artist for many readers’. However, in his 1901 novel, Kim, Kipling offers a…