• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

C. S. Lewis and His Medieval Mirror

By Erik Eklund C. S. Lewis is best known for his introductory exposition of Christianity, Mere Christianity (1952), as well as his series of children’s books, The Chronicles of Narnia (1950–56), yet, notwithstanding his numerous theological works, his identity as…

A photograph of the Roman Catholic Church of All Nations, Jerusalem

Introducing Edinburgh Studies in Middle Eastern Christianity

by Deanna Ferree Womack and Philip Michael Forness Series editors Deanna Ferree Womack and Philip Michael Forness introduce our latest Islamic and Middle Eastern Studies series, Edinburgh Studies in Middle Eastern Christianity, centering on historical and contemporary Christian traditions in…

Covenants and Covenanting

By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…