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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
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    • Political Philosophy
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  • Publishing
  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

Black and white image of a figure

Fascism at the Limits of Capitalism

Reading Marx’s 'Capital' with Deleuze and Guattari

  • Edinburgh University Press
  • July 4, 2024
A coloured picture (the colours are mainly black, white, grey and purple) depicting a portrait sketching of Karl Marx and Baruch Spinoza side by side. Marx is on the right hand side looking towards the left and Spinoza is on the left hand side looking ahead and to the left.

Alienation Reconsidered: Fischbach on Marx and Spinoza

How can reading Spinoza help us to understand Marx's concept of alienation under capitalism?

  • Edinburgh University Press
  • September 20, 2023
  • 1 Comment
Chaste

Chastity and Capitalism, from Shakespeare’s England to Trump’s America

By Katherine Gillen Interest in Shakespeare’s economic philosophy intensified in the wake of the 2008 financial crash, reaching beyond academic circles into public discourse. For example, New York’s Public Theater hosted an event called “What Are We Worth? Shakespeare, Money and…

  • Carla Hepburn
  • July 17, 2017

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Shame in Contemporary You-Narration: Q&A with the author

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1980s video memories with Peter Turner

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

Silhouetted martial artist mid-air against a sunset sky over the sea, holding a poised, balanced stance that emphasises calm, control, and intention rather than force.

Martial arts ecology and the quiet life of action cinema

A picture showing bare hills being grazed by sheep in the Ettrick valley.

A famous old shepherd looks for remedies

Q&A with Dr Beth Williamson: A Cultural Biography of William Johnstone

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