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  • Art, Film and Performance
    • Art and Visual Culture
    • Film–Philosophy
    • Film Studies
    • Television Studies
    • Theatre and Dance
  • Cultural Studies
    • Cultural History
    • Sociology
    • Gender Studies
    • American Studies
    • European Studies
    • Irish Studies
    • Islamic and Middle Eastern Studies
    • Palestine Studies
    • Scottish Studies
  • History
    • Ancient History and Classical Studies
    • Cultural History
    • Natural History
    • Religious History
    • British History
    • Islamic and Middle Eastern History
    • Scottish History
    • World History
  • Language and Literature
    • Linguistics
    • Literary Studies
    • Literary Theory
    • Modernism
    • Pre-19th Century Literary Studies
    • Post-19th Century Literary Studies
    • Atlantic Literature
    • Scottish Literature
  • Law
    • Energy Law
    • European Law
    • International Law
    • Comparative Law
    • Islamic Law
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  • Philosophy
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Edinburgh University Press Blog
The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest

  • Edinburgh University Press
  • February 24, 2026

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