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Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies

By Lynn Matluck Brooks Ballet in early America? Didn’t we have to wait for the Russians to show up in the 1910s with the Ballets Russes, and for those who emigrated to the United States in the 1920s and ’30s?…