-
‘Beware of the ninnies!’ – Thoughts on ballet history
Read more: ‘Beware of the ninnies!’ – Thoughts on ballet historySebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
What three crises can teach us about how to avoid foreign policy surprises
by Dr Nikki Ikani In Estimative Intelligence in European Foreign Policymaking, we investigate how the European Union, the United Kingdom…
The second life of the Energy Charter Treaty
by Dr Ernesto Bonafé Born in the aftermath of the Cold War, the Energy Charter Treaty will have a second…
5 places where modernism survived
Adapting or recasting the formal experiments of their modernist forebears...Here is a brief tour of five places where modernism survived well into the second half of the twentieth century.
“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 2)
by Tom Ue Continued from Part 1 Your integration of The Taming of the Shrew when describing Rhoda and Everard…
“Is Such A Life Worthy of the Name?”: Christopher Douglas on the Adaptation of George Gissing’s The Odd Women (Part 1)
by Tom Ue George Gissing’s novel The Odd Women (1893) opens, in 1872, with Dr Madden declaring his intention to…
Researching the History of British Film Finance
by James Chapman Big research projects take a while to bear fruit. In the case of The Money Behind the…
Xenophon’s Anabasis in 16 Pictures
This selection of sixteen photographs together with the accompanying descriptions by Xenophon aim to provide a sense of the travel experience from the journey’s beginning at Sardis to the army’s famous sighting of the Black Sea from the mountains south of modern Trabzon.
Surveying the Anthropocene: Endangered wildlife: the threats to seabirds, and the use of rephotography
by Patricia Macdonald This is the second of a series of blogs featuring themes and participants from the book Surveying…
The Woman Writer’s Playbook to Fighting Censorship
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.