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  • Cultural Studies
    • French Studies
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  • Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

    Q&A with Benjamin Dalton about his new book, which journeys through philosophy, literature, film and (neuro)science to discover how our bodies and brains transform throughout life.

    January 8, 2026
    Read more: Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

EUP 75: Our Publishing in Politics and International Relations

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  • International Relations / Politics / Publishing

Explore the story of Politics and International Relations publishing at Edinburgh University Press, from the 1990s to the most recent and topical publications.

  • ByEdinburgh University Press
  • OnOctober 11, 2024

Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square

Photograph showing a page from a medieval manuscript.
  • Art and Visual Culture / Cultural History / Cultural Studies / Scottish Studies

Is there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.

  • ByEdinburgh University Press
  • OnSeptember 30, 2024

EUP 75: Our Publishing in Ancient History & Classical Studies

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  • Ancient History / Classics and Ancient History / Publishing

by Helena Heald While the Greek and Latin languages have been studied at the University of Edinburgh since its foundation…

  • ByEdinburgh University Press
  • OnSeptember 26, 2024

What is Philosophy? What is Politics? What is Critique?

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  • Philosophy / Political Philosophy / Politics

The editors of Philosophy, Politics and Critique reflect on the contested meanings of the terms which give the journal its name.

  • ByEdinburgh University Press
  • OnSeptember 25, 2024

Who are the displaced?

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  • International Law / International Relations / Politics

Millions of displaced people don’t count as refugees. Who are they, and how can they be better protected by political and legal systems?

  • ByEdinburgh University Press
  • OnSeptember 18, 2024

Shakespeare Teachers Strike Back: Three strategies for engaging in politically responsive pedagogy in the age of (another) DEI backlash

  • Language and Literature / Literary Studies / Literary Theory / Pre 19th Century Literary Studies

by Marissa Greenberg and Elizabeth Williamson Perhaps the greatest challenge facing US institutions of higher education is the tension between…

  • ByEdinburgh University Press
  • OnSeptember 17, 2024

EUP 75: Our Publishing in Philosophy

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  • Philosophy / Politics, Philosophy and Religion / Publishing

Discover the history of Philosophy publishing at Edinburgh University Press, from our extensive publishing in Deleuze and Guattari Studies, to a ground-breaking new series in World Philosophies.

  • ByEdinburgh University Press
  • OnSeptember 12, 2024

Haraway against Deleuze, or, Must We Like Pets?

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  • Philosophy

Ian Buchanan responds to Donna Haraway's reading of Deleuze and Guattari on the notion of becoming-animal

  • ByEdinburgh University Press
  • OnSeptember 3, 2024

Where were the Orcades?: Early medieval engagement with the islands at the edge of the Earth in texts and maps

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  • History / Scottish History / Scottish Studies

Reinterpreting the history of Scotland's northern islands.

  • ByEdinburgh University Press
  • OnAugust 28, 2024
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Popular Posts

Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

A culturally diverse group of dancers performs among piles of books. They wear costumes with large numbers pinned to them, suggesting an audition or competition. Their movements are dynamic and physical, with one dancer holding another’s leg as others lean and bend in varied, expressive poses.

5 ways to (un)teach the canon

A detailed black-and-white illustration of several men in traditional Scottish Highland attire—kilts, plaids, and feathered caps—shaking hands in front of a small thatched cottage. A child stands nearby watching, and a crowd of villagers looks on from behind. Trees arch overhead, and one man carries bagpipes slung over his shoulder.

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