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Autopoietic Machines
Read more: Autopoietic MachinesRethinks the concept of power in relation to an emerging form - sensory power
Writing about State Violence: Commemoration & Collaboration
Michael Demson discusses the essays contributed to a new edited collection on Peterloo.
The continuing importance of Chile’s Cold War history
Earlier this year, the United States government declassified more than 40,000 documents showing the American intelligence community’s reporting on the Argentine dictatorship’s Dirty War. This refers to Argentines’ counterinsurgency campaign that decimated their country’s far left in the late 1970s.…
The Past as Prologue on Presidential Privilege
As the Mueller investigation comes to a close, Kevin M. Baron looks to the history of the Freedom of Information Act and finds that the battle between Congress and the White House is nothing new.
Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere
By Calum Waddell Last year’s superior possession shocker Hereditary (from director Ari Aster) and the recent release of Jordan Peele’s Us has resulted in a new term, ‘elevated horror’, being introduced into the critical lexicon, much to the chagrin of…
Clausewitz and Civil–Military Relations
Many readers of On War have taken Clausewitz’s discussion of the ‘logic’ of war tending to ‘extremes’ and concluded that he believed that, if a state were going to wage war, the only sensible way to do it would be…
Does the British government learn from the history of military interventions?
From Iraq to Libya, Louise Kettles asks whether the UK has learned to learn from its past mistakes in Middle-Eastern military interventions.
Promises of Monsters
By Donna McCormack, School of Literature and Languages, University of Surrey The Monster Network has been busy doing collective work and is happy to announce the publication of a special issue of the journal Somatechnics on “Promises, Monsters, Methodologies: The…
Challenging Cosmopolitanism
The temptation to look longingly to idealised visions of Islamic cosmopolitanism as the antithesis to the militant communal solidarity associated with contemporary groups, such as the Islamic State (IS), can be quite powerful. Many scholars and popular writers have pointed…
Class and Feeling in the Films of Jia Zhangke
In 2008, I saw Jia Zhangke’s film Still Life, and it changed my life. I had never seen a film that had affected me so intensely and knew that, after that moment, I needed to research this director and his films further. What impacted me the most about Jia’s films were their emotional and affective qualities, and how they evoked feelings that lingered long after the films had ended.