• A close up of a painted portrait of James Macpherson.

Aristotle and the Open Future

By Jason W. Carter How much do we know about the future? Some people think that we can know a lot about the future – even the distant future. We might now know, for instance, that a catastrophe caused by…

About William S. Burroughs

By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…

The myth of the selfless philosopher

By Enrico Galvagni There is a myth that spans the history of western thought: the myth of the selfless philosopher. True philosophers, the myth says, are ethereal creatures who dropped every trace of pride, egoism, and vainglory to devote their…

Detail from the Paul Klee painting Camel (in Rhythmic Landscape with Trees, showing an brightly coloured abstract image of a camel surrounded by trees

Rhythm and Critique

Sunil Manghani explores how rhythm came to be one of the most productive terms for critical enquiry into our social, political and cultural lives, and looks to the future of research into rhythm.
Placemaking in a pandemic - how sourdough made us feel at home

Placemaking in a pandemic

How we make place and have a sense of belonging in a pandemic is such a very different experience than many of us have usually experienced.

Why Michel Serres? A Personal Reflection – part 2

The captivating reflection of Chris Watkin on why he chose to write on Michel Serres continues below. Hermeneutics of suspicion, hermeneutics of federation Serres is antipathetic to the method of critique characteristic of the human sciences, and in particular to…