Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Anglophone literary criticism has over the last decade engaged in a searching analysis and critique of its own methods. Perhaps surprisingly, much of that debate has considered *how* one should engage in literary interpretation—whether one should read closely or from a distance, interpret in a paranoid or reparative way, emphasize the work’s surface or depth, engage in “critique” or some other mode of attachment—and rather less *why*. But we might benefit from asking that question more openly: what, after all, is the point of literary criticism? Why does this practice merit the sustained intellectual energy so many scholars have devoted to it?
Participants in the protests following the murder of George Floyd in Minnesota have emphasised historical continuity in the experience of racist oppression in the United States.
Towards the end of Sally Rooney’s acclaimed novel Normal People, the two main characters, Connell and Marianne, talk sleepily one morning about whether it’s possible ever really to know another person. ‘I guess everyone is a mystery in a way’,…