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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

    Q&A with Benjamin Dalton about his new book, which journeys through philosophy, literature, film and (neuro)science to discover how our bodies and brains transform throughout life.

    January 8, 2026
    Read more: Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

Cats and Other ‘Slightly Magical’ Phenomena in Slightly Magical Irish Poetry and the Long 1990s

A Q&A with Lucy McDiarmid on her new book exploring Irish poetry’s ‘slightly magical’ worlds.

  • Edinburgh University Press
  • December 3, 2025

American Poets Traveled to Europe and It Shaped Modern Literary History

Elin Käck discusses the role of American poets’ travels to Europe in the evolution of modern American poetry and literary history in general.

  • Edinburgh University Press
  • November 27, 2025

Masculinities in Nigerian Fiction: Receptivity and Gender – Q&A with the author

A Q&A with Uchechukwu Peter Umezurike on Masculinities in Nigerian Fiction: Receptivity and Gender, exploring Nigerian masculinities, ethics, and gender in literature.

  • Edinburgh University Press
  • November 14, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025

Professionalisation and the New Woman: Q&A with Riya Das, editor of the critical edition of Mona Caird’s The Daughters of Danaus

Riya Das discusses the making of her fully annotated edition of Mona Caird’s immensely successful novel, The Daughters of Danaus.

  • Edinburgh University Press
  • August 29, 2025

Envy and the Politics of Reading

How did early modern writers link envy in print culture to politics and community?

  • Edinburgh University Press
  • August 25, 2025

James Boswell and the ‘Whisperers’

by John Eglin James Boswell, like a number of wealthy and well-connected British travelers in Italy, could expect to move in elevated social circles as he went from city to city. In common with many of his fellow tourists, he…

  • Edinburgh University Press
  • August 20, 2025

Shakespeare Comics: Q&A with the author

A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.

  • Edinburgh University Press
  • July 10, 2025
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Popular Posts

Q&A with Benjamin Dalton: Catherine Malabou and Contemporary French Literature and Film

A culturally diverse group of dancers performs among piles of books. They wear costumes with large numbers pinned to them, suggesting an audition or competition. Their movements are dynamic and physical, with one dancer holding another’s leg as others lean and bend in varied, expressive poses.

5 ways to (un)teach the canon

A detailed black-and-white illustration of several men in traditional Scottish Highland attire—kilts, plaids, and feathered caps—shaking hands in front of a small thatched cottage. A child stands nearby watching, and a crowd of villagers looks on from behind. Trees arch overhead, and one man carries bagpipes slung over his shoulder.

Jacobitism and Conceptions of Ethical Colonialism

The Scottish flag blows in the wind against a blue sky, with light white clouds

A country that cares: the rocky road to transforming Scotland’s social care system

How Vocatives in Lebanese Arabic Reveal the Subtle Art of Address

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