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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

Explores the cinematic career of British-Polish director, Paweł Pawlikowski.

  • Edinburgh University Press
  • September 19, 2025
Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

More Than Just Shade: 3 Surprising Stories About the 19th-Century Parasol

Elena Vanden Abeele investigates the functions, symbols and hidden meanings behind the parsol in the 19th century.

  • Edinburgh University Press
  • September 16, 2025
Exhibit display of Wonder Woman costumes in a museum. In the foreground, a mannequin wears a red and gold costume with a starry red cape inside a glass case. Behind it, another mannequin displays a blue suit, while to the right, a more modern Wonder Woman costume with armor, sword, and shield is showcased. A large poster of Wonder Woman is mounted on the wall in the background.

Reimagining the Action Heroine for the Twenty-First Century

A look through the ever-shifting landscape of the action genre and its representation of women.

  • Edinburgh University Press
  • September 15, 2025

Q&A with Chibli Mallat, author of Democracy Redefined

Chibli Mallat introduces 'Democracy Redefined' and explores the Lebanese Constitution's history and its unique approach to democracy.

  • Edinburgh University Press
  • September 12, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025
Landscape photograph of a heather-covered valley with mountains on either side. There is a small bridge in the middle-distance and two people holding clipboards and looking at the land in the foreground.

Wicked Wild Wastes?: challenging contemporary ideas of wildness in Scottish Highland landscapes

Dr Edward Stewart looks to the past to suggest an alternative future for Scotland's 'wild' places.

  • Edinburgh University Press
  • September 4, 2025

Q&A with Françoise Vergès on Decolonial Feminism

Françoise Vergès reflects on the space she wanted to create and help to hold open for feminists and workers of colour.

  • Edinburgh University Press
  • August 27, 2025

‘A Place in the Homeland? Turkish-German Return Migration’: Q&A with the authors

Nilay Kılınç and Russell King discuss the making of their book on second-generation Turkish-German return migration

  • Edinburgh University Press
  • August 21, 2025
John Singleton sits on a grey chair, with his hands resting on his legs. He is facing towards the right of the frame, listening to someone who is out of frame.

Q&A on ReFocus: The Films of John Singleton

Daniel Dufournaud reflects on the cultural impact of John Singleton, notably his portrayal of black masculinity.

  • Edinburgh University Press
  • August 19, 2025
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Shame in Contemporary You-Narration: Q&A with the author

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