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Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of Scotland
Read more: Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of ScotlandRobin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
‘Beware of the ninnies!’ – Thoughts on ballet history
Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of Scotland
Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
5 things you might not expect of Christian-Muslim relations in the Middle East
Drawing on a long history of Christian-Muslim coexistence, Anna Hager explores the nuances and complexities of interfaith relations in the Middle East
Chrystal Macmillan: champion for women’s equality, peace and justice
Meet a key figure of the women's movement of the late nineteenth and early twentieth century.
Finding a Scottish Nun in Seventeenth-Century Canada
by Mairi Cowan You never know what you might find in an archive. I went looking for demons, and I found a Scottish nun. My research had brought me to Quebec City to investigate a case of witchcraft and demonic…
James Macpherson, the man behind the myth: Highland clan champion and nouveau riche
Thomas Archambaud explores the life and reputation of writer, politician, clan champion and colonial agent James Macpherson.
Palestine, Racial Capitalism and the Weapon of Theory
Kieron Turner treats Racial Capitalism as a crucial theoretical tool for anti-colonial Palestinian resistance
Demystifying the role of Ottoman bureaucrats in occupied Western Anatolia at the dawn of ethnic violence and destruction
Umit Eser explores authoritarianism in post-Ottoman geographies by investigating the origins of organised violence and ethnic cleansings at the beginning of the twentieth century
Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Is there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.