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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Why family ties in Kūfa mattered for early Islamic politics

    Aliya A Ali explores how kinship and marriage alliances shaped political power and governance in the early Islamic city of Kūfa.

    September 25, 2025
    Read more: Why family ties in Kūfa mattered for early Islamic politics

Why family ties in Kūfa mattered for early Islamic politics

Aliya A Ali explores how kinship and marriage alliances shaped political power and governance in the early Islamic city of Kūfa.

  • Edinburgh University Press
  • September 25, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025
A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

Explores the cinematic career of British-Polish director, Paweł Pawlikowski.

  • Edinburgh University Press
  • September 19, 2025
Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

More Than Just Shade: 3 Surprising Stories About the 19th-Century Parasol

Elena Vanden Abeele investigates the functions, symbols and hidden meanings behind the parsol in the 19th century.

  • Edinburgh University Press
  • September 16, 2025
Exhibit display of Wonder Woman costumes in a museum. In the foreground, a mannequin wears a red and gold costume with a starry red cape inside a glass case. Behind it, another mannequin displays a blue suit, while to the right, a more modern Wonder Woman costume with armor, sword, and shield is showcased. A large poster of Wonder Woman is mounted on the wall in the background.

Reimagining the Action Heroine for the Twenty-First Century

A look through the ever-shifting landscape of the action genre and its representation of women.

  • Edinburgh University Press
  • September 15, 2025

Q&A with Chibli Mallat, author of Democracy Redefined

Chibli Mallat introduces 'Democracy Redefined' and explores the Lebanese Constitution's history and its unique approach to democracy.

  • Edinburgh University Press
  • September 12, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025
Landscape photograph of a heather-covered valley with mountains on either side. There is a small bridge in the middle-distance and two people holding clipboards and looking at the land in the foreground.

Wicked Wild Wastes?: challenging contemporary ideas of wildness in Scottish Highland landscapes

Dr Edward Stewart looks to the past to suggest an alternative future for Scotland's 'wild' places.

  • Edinburgh University Press
  • September 4, 2025

Q&A with Françoise Vergès on Decolonial Feminism

Françoise Vergès reflects on the space she wanted to create and help to hold open for feminists and workers of colour.

  • Edinburgh University Press
  • August 27, 2025
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Popular Posts

Why family ties in Kūfa mattered for early Islamic politics

Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

More Than Just Shade: 3 Surprising Stories About the 19th-Century Parasol

Exhibit display of Wonder Woman costumes in a museum. In the foreground, a mannequin wears a red and gold costume with a starry red cape inside a glass case. Behind it, another mannequin displays a blue suit, while to the right, a more modern Wonder Woman costume with armor, sword, and shield is showcased. A large poster of Wonder Woman is mounted on the wall in the background.

Reimagining the Action Heroine for the Twenty-First Century

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