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  • Cultural Studies
    • French Studies
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    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
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  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

The Stick

Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere

By Calum Waddell Last year’s superior possession shocker Hereditary (from director Ari Aster) and the recent release of Jordan Peele’s Us has resulted in a new term, ‘elevated horror’, being introduced into the critical lexicon, much to the chagrin of…

  • Emma at EUP
  • April 29, 2019

Gender and Family in the History of Christian Missions

The April 2015 issue of Studies in World Christianity is largely based on a handful of the many papers presented at the 24th meeting of the Yale–Edinburgh Group on the history of missions and world Christianity, held at New College,…

  • eupjournalsblog
  • April 22, 2015

Popular Posts

Shame in Contemporary You-Narration: Q&A with the author

Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.

1980s video memories with Peter Turner

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

Silhouetted martial artist mid-air against a sunset sky over the sea, holding a poised, balanced stance that emphasises calm, control, and intention rather than force.

Martial arts ecology and the quiet life of action cinema

A picture showing bare hills being grazed by sheep in the Ettrick valley.

A famous old shepherd looks for remedies

Q&A with Dr Beth Williamson: A Cultural Biography of William Johnstone

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