• A brightly lit hallway lined with red numbered mailboxes or storage lockers on both sides. The walls, drawers, and lighting fixtures are all red, creating a striking monochromatic design. The polished floor reflects the light, and a white desk is visible on the left side near the entrance.

Jean-Luc Nancy and Paragraph

By Peggy Kamuf In tribute to Jean-Luc Nancy, whose death was announced in August, Peggy Kamuf looks back on a landmark special issue of Paragraph (‘On the Work of Jean-Luc Nancy’, Paragraph, Vol. 16, Issue 2) which she edited in…

Remembering Sarah Kofman in the 2020s?

By Jacob Bates-Firth Sarah Kofman and the Relief of Philosophy (ed. Bates-Firth and McKeane) is out now as a special issue of Paragraph, 44:1 (March 2021) and concurrently in book form with Edinburgh University Press. Backdrop When John and I began to…

Buddhism and Cinematic Technicity-Consciousness

By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…

Paragraph 2016 Essay Prize competition

Submissions are now invited for the Paragraph 2016 Essay Prize competition, in which the prize will be awarded for the best article addressing the theme: ‘Mourning’. In line with the journal’s leading role in investigating critical theory across a wide…

Image from Paragraph 37.2, Catherine Théodose , Rue Mauve

Francophone Communities Past and Present

By Charles Forsdick, Mairéad Hanrahan and Martin Munro New and original work by some of the leading scholars in Francophone and Caribbean Studies is collated in a special issue of Paragraph, A Journal of Modern Critical Theory. Since at least…