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Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’
Read more: Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.


Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

I first encountered Jean-François Lyotard's work in the mid-1980s, after the publication of the English translation of his book The Postmodern Condition. It was a text that created quite a stir in the English-speaking academic world, drawing a lot of both praise and criticism. I was one of those to be critical, as in the first thing I ever wrote about Lyotard, a journal article for Radical Philosophy, where I argued there was a nihilistic quality to his thought.