• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.
Cover image for A Process Philosophy of Signs by James Williams

Behind Red Doors – Signs, Process and the Political

In January 2016, a scandal broke out in the UK when the Times reported that asylum seekers’ homes could be identified by distinctive red doors, making them vulnerable to attacks. Coincidentally – but not where signs and the political are concerned – A Process Philosophy of Signs opens with an account of threatening identification on doors.