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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.

5 ways to (un)teach the canon
Annelies Van Assche explores five innovative ways to challenge the dance canon and expand beyond Eurocentric narratives.

‘Beware of the ninnies!’ – Thoughts on ballet history
Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies

Lost in translation: The influence of André Levinson and Arnold Haskell in Spain
by Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, when we saw that the Prologue to the Spanish edition of Serge Lifar’s book La Danse had been written by…


