Skip to content
  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • About Us
  • Journals
  • Books
  • SUBSCRIBE TO OUR BLOG
Edinburgh University Press Blog
No results
  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
Edinburgh University Press Blog
Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.

Q&A: ‘Wladzio D´Attainville and the House of Balenciaga (1924–1948)’

Ana Balda uncovers Wladzio D’Attainville's crucial impact on Cristóbal Balenciaga's fashion empire.

  • Edinburgh University Press
  • April 10, 2026

Popular posts

June 2, 2026

Sudden Changes in Global Order — From Ancient to Early Modern Iran and Beyond

June 4, 2026

How did the revenue men once invest in slavery?

June 1, 2026

Structural Bias, Education Reform, and Victorian Women’s Poetry

May 25, 2026

Henry Somers-Hall interviewed by Brent Adkins: Reading A Thousand Plateaus

May 19, 2026

From Multiple Possible Worlds to Fission-Fusion Experience

Archives

Subscribe to blog via email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Copyright © 2026 - Edinburgh University Press | All Right Reserved. | Privacy Policy