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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
by Niamh Thornton Niamh Thornton introduces the case studies she uses in her chapter from Legacies of the Past: Memory and Trauma in Mexican Visual and Screen Cultures. Finding a space to discuss memory and trauma In order to talk…
Remembering Sarah Kofman in the 2020s?
By Jacob Bates-Firth Sarah Kofman and the Relief of Philosophy (ed. Bates-Firth and McKeane) is out now as a special issue of Paragraph, 44:1 (March 2021) and concurrently in book form with Edinburgh University Press. Backdrop When John and I began to…
About William S. Burroughs
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
Visually Speaking: African American Films Past and Present (Part Four)
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…
Was there a Catholic school architecture?
By Diane M Watters In 2018, Scotland commemorated 100 years of local authority-run Catholic schooling since the 1918 Education Act. Following the act, both the Catholic and Episcopalian churches transferred their own church-run schools, known as ‘voluntary’ schools, into public…