• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

Journal of Holy Land and Palestine Studies Turns 20

By Professor Tayseer Abu Odeh Journal of Holy Land and Palestine Studies is celebrating its 20th anniversary this year. Journal of Holy Land and Palestine Studies is an international refereed journal presenting a global platform and space for both critical…

C. S. Lewis and His Medieval Mirror

By Erik Eklund C. S. Lewis is best known for his introductory exposition of Christianity, Mere Christianity (1952), as well as his series of children’s books, The Chronicles of Narnia (1950–56), yet, notwithstanding his numerous theological works, his identity as…

Buddhism and Cinematic Technicity-Consciousness

By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one of my ‘test drives’ for a longer and more substantial project that seeks to reconfigure film and media philosophy by…

Covenants and Covenanting

By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…