Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…
By John Reuben Davies Read the editorial introduction from The Innes Review: 70th Anniversary Virtual Collection, which is free to access on our site and contains over 40 free articles spanning 70 years of the The Innes Review‘s history. The…
By Julian Petley and Andrew Roberts Catch up with Part One of Culture Wars, Talking Pictures and the Telegraph For Heffer, ‘the lesson of Talking Pictures is clear. It portrays the England millions of us wish we still lived in’.…
By Julian Petley and Andrew Roberts Author’s Note: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in this blog post, which…
Read the introductory article to our recently released Northern Scotland: Black Lives Matter virtual collection, which can be found on our website and is freely accessible until the end of 2020. By Jim MacPherson The racist murder of George Floyd…
Poetry aficionados, media archaeologists and scholars of modernism might have heard of the ‘godfather of the e-reader’ Bob Brown, and his infamous ‘Reading Machine’ – but his wife Rose is an equally compelling figure. In fact, her story changes how we understand the connections between technological and literary innovation, and their capacity to promote social change, and with one exception, it has remained untold.
By Dr Ingrid E. Mida In April 2018, I was invited by artist Sarah Casey, as part of a collaborative project partially funded by the British Council and Arts Council England, to don my dress detective hat and study the…
Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s time and place, but it is driven by the obsession engendered in the writer by the subject. This has been…
The oldest layers of the surviving Zoroastrian texts are in Avestan language and commonly dated to the middle of the second millennium BCE. Exact dates and circumstances of composition, however, remain uncertain, so that little is known about the socio-political context from which these texts emerged. After two millennia of oral transmission, the texts were finally committed to writing, at a time when the language must have no longer been in active use.