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  • Art, Film and Performance
    • Art and Visual Culture
    • Film–Philosophy
    • Film Studies
    • Television Studies
    • Theatre and Dance
  • Cultural Studies
    • Cultural History
    • Sociology
    • Gender Studies
    • American Studies
    • European Studies
    • Irish Studies
    • Islamic and Middle Eastern Studies
    • Palestine Studies
    • Scottish Studies
  • History
    • Ancient History and Classical Studies
    • Cultural History
    • Natural History
    • Religious History
    • British History
    • Islamic and Middle Eastern History
    • Scottish History
    • World History
  • Language and Literature
    • Linguistics
    • Literary Studies
    • Literary Theory
    • Modernism
    • Pre-19th Century Literary Studies
    • Post-19th Century Literary Studies
    • Atlantic Literature
    • Scottish Literature
  • Law
    • Energy Law
    • European Law
    • International Law
    • Comparative Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Philosophy
    • Ancient Philosophy
    • Film–Philosophy
    • Political Philosophy
    • Deleuze and Guattari Studies
    • Scottish Philosophy
  • Politics
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Edinburgh University Press Blog
A culturally diverse group of dancers performs among piles of books. They wear costumes with large numbers pinned to them, suggesting an audition or competition. Their movements are dynamic and physical, with one dancer holding another’s leg as others lean and bend in varied, expressive poses.

5 ways to (un)teach the canon

Annelies Van Assche explores five innovative ways to challenge the dance canon and expand beyond Eurocentric narratives.

  • Edinburgh University Press
  • January 6, 2026
Stylised red, white and blue circular superhero shield with a central star, representing heroism, protection and American identity.

What Superheroes and US Security Are Not About

Warning! Does Not Contain Spoilers

  • Edinburgh University Press
  • November 26, 2025
The Mexican flag flying in the wind.

Q&A: Television Drama in Mexico

Paul Julian Smith reflects on visiting Mexico City whilst researching his new book.

  • Edinburgh University Press
  • November 18, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025
A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

Explores the cinematic career of British-Polish director, Paweł Pawlikowski.

  • Edinburgh University Press
  • September 19, 2025
Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

More Than Just Shade: 3 Surprising Stories About the 19th-Century Parasol

Elena Vanden Abeele investigates the functions, symbols and hidden meanings behind the parsol in the 19th century.

  • Edinburgh University Press
  • September 16, 2025
Exhibit display of Wonder Woman costumes in a museum. In the foreground, a mannequin wears a red and gold costume with a starry red cape inside a glass case. Behind it, another mannequin displays a blue suit, while to the right, a more modern Wonder Woman costume with armor, sword, and shield is showcased. A large poster of Wonder Woman is mounted on the wall in the background.

Reimagining the Action Heroine for the Twenty-First Century

A look through the ever-shifting landscape of the action genre and its representation of women.

  • Edinburgh University Press
  • September 15, 2025
John Singleton sits on a grey chair, with his hands resting on his legs. He is facing towards the right of the frame, listening to someone who is out of frame.

Q&A on ReFocus: The Films of John Singleton

Daniel Dufournaud reflects on the cultural impact of John Singleton, notably his portrayal of black masculinity.

  • Edinburgh University Press
  • August 19, 2025

Bringing Kinoshita Keisuke to Light

Earl Jackson argues for Kinoshita Keisuke's rightful place within Japanese film history.

  • Edinburgh University Press
  • August 14, 2025
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