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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
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  • Celebrating Libraries, Archives and Natural History

    Discover a cross-journal special feature from Library & Information History and Archives of Natural History.

    January 29, 2026
    Read more: Celebrating Libraries, Archives and Natural History

Close-up of a historical handwritten manuscript page in cursive ink, showing dense text on aged paper, held open by a person’s hand at the bottom edge.

Jacobites, Logwood and Enslavement

Rethinking Scots' activities in the Early Modern Caribbean

  • Edinburgh University Press
  • January 13, 2026
Alison Morgan photo

Percy Bysshe Shelley and the British National Anthem

By Alison Morgan ‘A New National Anthem’ by Percy Bysshe Shelley is probably one of his least known poems. Written in 1820, in the aftermath of the Peterloo Massacre, Shelley’s poem is a paean to the female queen Liberty rather…

  • eupjournalsblog
  • May 20, 2014

Popular Posts

Celebrating Libraries, Archives and Natural History

National Year of Reading logo, 'Go All In' on red background.

We’re going all in for the National Year of Reading 

A polyglot writer weaves carpets: A conversation about linguistic hybridity with Sabira Ståhlberg

Abstract black-and-white image of fine, web-like lines and dots resembling neural connections or a network, flowing diagonally across a white background

Autopoietic Machines

a colourful collage of fragments of overlapping abstract photographs of plants, water and rocks. The colours give the feeling of iridescence.

What is extra in the ordinary, and why is the intimate often strange?

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